№3(59)
September 2017
ISSN
1990-4126

Russian

«Architecton: proceedings of higher education» № 47 September 2014

Theory of architecture


Vlasov Victor G.

DSc (Art Studies), Professor, Chair of History of West European Art,
Saint-Petersburg State University,
Saint-Petersburg, Russia, e-mail: natlukina@list.ru

FORM AS AN INTENT. ONTOLOGICAL, PHENOMENOLOGICAL AND SEMIOLOGICAL ASPECTS OF ARCHITECTURAL COMPOSITION


The article considers the specifics of architecture from the standpoint of contemporary phenomenology and semiology. It is shown how the basic properties of architectural composition reveal themselves for an active spectator, in movement: in space and in time, in duration and in the character of perception, recollection of former knowledge, recognition of prototypes and interpretation of architectural form symbolics.

Key words: architectural composition, form generation, style, typology



References

  1. Semper, G. (1970) Praktische Ästhetik. Compilation, introductory article and comments by V. R. Aronov. Moscow: Iskusstvo. (in Russian)
  2. Uspensky, B. А. (1970) Towards Studies of the Language of Ancient Painting In: Zhegin, L. F. The Language of a Fine Art Work. Moscow: Iskusstvo. (in Russian)
  3. Saussure, Ferdinand de. (2004) A Course of General Linguistics. Moscow: Editorial URSS. (in Russian)
  4. Vaneyan, S. S. (2004) Architectural Semantics: Typology of Meanings and Characterology of Meaning. Iconology of Architecture in the Interpretation of Günter Bandmann. Iskusstvoznaniye. No. 1. (in Russian)
  5. Vlasov, V. G. (2012) Para-Art Study and Historical Process [Online] Architecton: Proceedings of Higher Education. No.1 (37). Available from: http://archvuz.ru/numbers/201112/09 (in Russian)
  6. Vlasov, V. G. (2006) Picture and Word. In: New Encyclopedic Dictionary of Fine Arts: in 10 vol. Saint-Petersburg: Azbuka-Klassika. Vol. 4. (in Russian)
  7. Berger, L. G. (1997) The Epistemology of Art. Moscow: Russky Mir. (in Russian)
  8. Losev, A. F. (1975) The History of Classical Aesthetics. Moscow: Iskusstvo. Vol. 4. (in Russian)
  9. Husserl, E. (2001) Cartesian Meditations. Saint-Petersburg: Nauka. (in Russian)
  10. Panofsky, E. (1999) Meaning and Interpretation of Fine Arts. Saint-Petersburg: Akademichesky Proyekt. p. 23–24, 29–30. (in Russian)
  11. Hildebrand, А. (1991) The Problem of Form in Fine Art and Collected Articles. Мoscow: MPI. (in Russian)
  12. Brunov, N. I. (1973) Monuments of the Acropolis of Athens: Parthenon and Erechtheion. Moscow: Iskusstvo. (in Russian)
  13. Panofsky, E. (2009) Essays on Iconology. Saint-Petersburg: Azbuka-Klassika. p.32–34. (in Russian)
  14. Vlasov, V. G. (2012) The Art of Russian in Eurasian Space: in 3 vol. Saint-Petersburg: Smitry Bulanin, Vol. 3. (in Russian)
  15. Bandmann, G. (2004) Iconologie der Architektur. Translated by S. S. Vaneyan. Iskusstvoznaniye, No. 1, p. 430, 454, 459. (in Russian)
  16. Shukurov, Sh. М. (2003) Image and Discourse. Iskusstvoznaniye, No. 2. (in Russian)
  17. Lützeler, H. (1975) Kunsterfahrung und Kunstwissenschaft: Systematische und Entwicklungsgeschichtliche Darstellung und Dokumentation des Umgangs mit der Bildenden Kunst. Freiburg. Bd. 2. (in German)
  18. Mikhailov, А. V. (1985) Architecture as Frozen Music. In: Ancient Culture and Contemporary Science. Moscow: Nauka. p. 233–239. (in Russian)
  19. Schelling, W.F. (1966) Philosophy of Art. Moscow: Mysl. (in Russian)


Russian text of this article

ISSN 1990-4126  Registration MCM el. № ФС 77-70832 of 30.08.2017 © USUAA, 2004-2017  © Architecton, 2004-2017